New issue of Achiote Seeds


Contributors' Bios
Hugo García Manríquez. Author of two books, No Oscuro Todavia (2005), and Los Materiales (2008). His work has appeared in Mandorla, Damn the Caesars, New American Writing, and others. His translation of William Carlos Williams' poem, Paterson, will be published in Mexico next year.

Originally from Strasbourg, France, françois luong currently lives in San Francisco. Other work of his has appeared or is forthcoming in Cannibal, Parthenon West Review, New American Writing, Mirage #4/Period(ICAL), and elsewhere. He is also working on a translation into English of Chutes, Essais, Trafics by Rémi Froger and into French of Wide Slumber for Lepidopterists by A. Rawlings.

Evie Shockley is the author of A Half-Red Sea (2006) and two chapbooks, 31 words * prose poems (2007) and The Gorgon Goddess (2001). Her poetry and critical pieces appear in numerous journals and anthologies, recently including Foursquare, The Southern Review, No Tell Motel, Ecotone, PMS: poemmemoirstory, The Ringing Ear: Black Poets Lean South, Mixed Blood, Center, and Jacket. She currently serves co-guest editor (with Cathy Park Hong) of Jubilat. A Cave Canem graduate fellow and recipient of a Hedgebrook residency, Shockley teaches African American literature and creative writing at Rutgers University, New Brunswick.

Roberto Harrison edits Crayon with Andrew Levy and the Bronze Skull Press chapbook series. Two full-length collections of his work appeared in 2006: Counter Daemons (Litmus) and Os (subpress). Elemental Song, a chapbook, also appeared in 2006 through Answer Tag Home Press. Recent work can be found in Chicago Review, Brooklyn Rail, Court Green, War & Peace 3: The Future, Cannot Exist, and string of small machines.

Cover art by Mary V. Marsh. Mary V. Marsh has exhibited paintings, drawings and artist books in many venues, including solo shows at the San Jose Museum of Art, Berkeley Art Center, and the San Francisco Public Library. She received an MFA from the San Francisco Art Institute in 1992. Old library books and checkout cards are reconstructed to explore memory, propaganda, and consumer society.

Which can be bought here.

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